{"id":6561,"date":"2020-04-28T10:11:25","date_gmt":"2020-04-28T08:11:25","guid":{"rendered":"https:\/\/www.robertogiobbi.com\/site\/?p=6561"},"modified":"2020-04-28T10:11:25","modified_gmt":"2020-04-28T08:11:25","slug":"secret-newsletter-6-ask-roberto-note-and-orimotos","status":"publish","type":"post","link":"https:\/\/www.robertogiobbi.com\/site\/secret-newsletter-6-ask-roberto-note-and-orimotos\/","title":{"rendered":"Secret Newsletter #6: Ask Roberto, Note and Orimotos"},"content":{"rendered":"

Dear all!<\/p>\n

Plans were to be in Italy, France and the USA in these days,\u00a0with shows, masterclass and a few\u00a0lectures. But, alas, I\u2019m home like most of you. At least I hope this finds you and your families healthy. We are fine, privileged to live in a house with a little garden, good weather, and two libraries (yes, two!)\u00a0with over 6’000 books magical and otherwise, so there is not one second of boredom.<\/p>\n

Therefore, here is an \u00abUnexpected Secret Newsletter\u00bb (with nod to Marlo).<\/p>\n

IMPORTANT NOTICE: Due to the extraordinary situation in the world and especially in Europe, the borders between Switzerland and Germany have been temporarily closed. I usually ship all book orders from Germany as their rates are much cheaper. I won’t be able to do so until they reopen the borders. This affects all books orders,\u00a0not<\/em>\u00a0DVDs, as I can ship those as letters from Switzerland. And of course all downloads are fine. If you have any questions, please send me an email at giobbi@bluewin.ch and I’ll answer within 24 hours.<\/p>\n

Subscribe to Secret Newsletter and browse the previous email at https:\/\/www.robertogiobbi.com\/site\/newsletter-archive\/<\/a><\/em><\/p>\n

On to this month’s topic:<\/p>\n

Ask Roberto:\u00a0<\/strong><\/p>\n

In my\u00a0Secret Letter #5<\/em>\u00a0I discussed the Cull, and got some very positive feedback. Here is one that will be of interest to some readers. David McNay asked,\u00a0“Whilst my cull certainly needs some work, it is approaching functional, but I (and I’m sure others) struggle with the the correct stratagem if either the target card is very near the face (say positions 1-6) or if two (or more) target cards are very close together?”<\/em><\/p>\n

I checked\u00a0Card College 1<\/em>\u00a0and Lesson 18 of\u00a0Card College 1&2 – Personal Instruction<\/em>\u00a0(the video pendant to CC 1&2) which both treat the subject, and, shame on me, I did not discuss these problems. So here are a few solutions to the problem. I suggest you follow along with cards in hands, and you will understand and learn (a universal principle).<\/p>\n

Problem 1: The target card to be culled is at or near the face of the deck.
\nSolutions to problem 1: You’re holding the deck face down in dealing position and plan to cull one or several cards. Turn the deck with the faces towards yourself, but in such a way that the spectators cannot see the face-card. This is just in case the target card happens to be on the face of the deck and you did not want them to see it. (Obviously this depends from the context of the trick, for context is always king.) If the order of the rest of the deck can be upset, casually turn the deck again face down as you converse with the audience, and then\u00a0give it a brief Overhand Shuffle (see details of handling of how to shuffle the bottom card to the top\u00a0artistically on p. 253 of\u00a0Card College Volume 2<\/em>). If the order of the remaining cards must be retained, use a Transfer Cut (chapter 6 in\u00a0CC1<\/em>)\u00a0to achieve the same result.
\nIf the target card is at position 2 from the face, you may either use the same approach as above, i.e. transfer cut it to the top, or try this, and you’ll be surprised how well it works: Start spreading the cards between the hands as you would for the regular Cull. As soon as the right hand has received the first two cards, the fingers of the right hand pull the 2nd card from the face to the right. Less than half an inch is necessary for the 3rd card and all those following to be fed between the 1st and 2nd card. Smoothly continue spreading cards. This move takes merely an instant, and if you look up and make a humorous or otherwise interesting remark (always relevant, of course, to the trick), the action will be invisibilized. But even if they watched, there would be little to see, since they usually don’t know what is coming and therefore what to look for. That’s called\u00a0selective perception<\/em>, and is one of our big friends in the toolbox of deception.
\nIf the target card is at positions 3, 4, 5 etc. from the face, use the exact procedure as for the regular Cull. Try it with the card at position 3 from the faces and\u00a0do it slowly until you understand and learn\u00a0<\/em>(this is another universal strategy of learning). You will notice that the first two cards, if kept spread by the right hand, will afford sufficient cover for the culling of the 3rd card, le alone for those following.<\/p>\n

Problem 2: Several target cards are together or close to each other. This assumes that you want to cull e.g. four-of-a-kind, or even a complete suit.
\nSolution to problem 2: There are various cases that allow for various solutions.
\nCase1: You start spreading and arrive at two or even three target cards lying together. In this case the best approach is to close the spread, obtaining a break behind the target cards with the little finger, and then casually cut or shuffle them to the back. Now start anew and cull the remaining target card(s).
\nCase 2: You start spreading, cull one or several target cards individually, and then hit on a group of two or more target cards together. If these happen to be the last cards you want to cull, do as above, i.e. close the spread\u00a0obtaining a break behind the target cards with the little finger, and then casually cut or shuffle them to the back.
\nCase 3:\u00a0You start spreading, cull one or several target cards individually, and then hit on a group of two or more target cards together, but there are more cards after that group which you want to cull. Follow along, doing each action slowly at first, so your fingers understand: cull the first card of the group in the regular way as you extend the spread. When you collapse the spread again slightly, as you would to continue spreading,\u00a0treat the next target card in exactly the same way as you did with the card you just culled<\/em>, i.e. simply cull it, too. And then do the same with the next card. You’ll notice that this is as easy as pie, and the only “block” you had was a mental one, the fingers can do it. Once you’ve culled the target cards, continue the spread, and then cull any remaining cards, individually or together as you did up to here. Done.<\/p>\n

I believe that you now have all the information necessary to solve any type of problem you may run into when using the Cull. And please keep in mind,\u00a0“Before you practice, understand, but once you’ve understood, practice.”\u00a0<\/em><\/p>\n

You can send in your own question, and I’ll try to answer it at some point. You can always write to me at giobbi@bluewin.ch, but please do not be offended, if I do not answer, as I get many requests. But I always read you emails (unless I don’t receive them…).\u00a0Meanwhile let me remind you that I have answered 52 questions in\u00a0Ask Roberto<\/a>, available both as an e-book and a printed book. I recommend the e-book, which is very comfortable to read on a tablet, one question a week, for a full year.\u00a0Click here to see the table of content<\/a>. Also remember that you can take coaching lessons via Skype (see below).<\/div>\n

<\/div>\n
On Taking Notes & Store Them – Part 1<\/strong><\/div>\n
In\u00a0Secret Letter #5<\/em>\u00a0I promised to write about how to take notes & store them. This is part of a larger talk on the subject of\u00a0how to study magic<\/em>\u00a0in general. A few days ago I gave a one-hour talk for the Club Magico Italiano (CMI) on their Facebook page, and if you understand Italian, you can watch it be clicking\u00a0HERE<\/a>. It was\u00a0on the subject of\u00a0how to read magic books and make the most of it<\/em>, even if you have little time.\u00a0However, even with one hour at my disposal, I had to realize that\u00a0this is a\u00a0huge<\/em>\u00a0subject, worthy of a book, or better a full-day Masterclass or a lengthy video. Therefore\u00a0I’ll have to split this into several parts, currently I’m planing four parts.<\/p>\n

Reading Recommendations<\/strong>
\nLet’s start with a few reading recommendations.\u00a0How to Read a Book – The Classic Guide to Intelligent Reading<\/em>\u00a0by Adler & Van Doren is just what the title promises, brilliant, but 425 pages long. For a quicker and easier read I have eight (!) essays in my (e)-book\u00a0Ask Roberto<\/em><\/a>\u00a0that examine the subject from various points of view (the essays are: “4. How to Study”, “13. Creative Process”, “19. Effect Categories”, “23. Practice”, “25. Starting With Card Magic”, “37. “Navigate Info – How to Read Erdnase”, “39. Notebook & Journal”, “40. Repertoire Books”).\u00a0Secret Agenda<\/em>\u00a0and\u00a0Hidden Agenda<\/em>\u00a0have various days devoted to taxonomy and terminology, two important factors that show you how to\u00a0tag the notes<\/em>\u00a0so you can easily\u00a0find them again. There you will also find plenty of entries that deal with\u00a0how to make intelligent notes<\/em>\u00a0and\u00a0how to learn quickly and effectively<\/em>. No more hints, go through the books again, you won’t regret it. Last but not least I’d like to mention\u00a0Andi Gladwin’s\u00a0Focusing on Magic<\/em>, number 6 in the series of “Astonishing Essays” by Vanishing Inc.<\/p>\n

Paper & Electronic Notes<\/strong>
\nYou can take notes on paper or with an app. Important: one doesn’t exclude the other – use both!\u00a0We will discuss electronic note-taking in one of the upcoming parts of this series. For now here a few suggestions for taking paper-notes.<\/p>\n

Taking Notes on Paper<\/strong>
\nAlthough years ago I switched to mostly taking notes with Evernote app, I also have two dozen paper\u00a0notebooks, some of them several hundred pages thick, which I wrote in the past 40 plus years, and which I’m still using. I only wear shirts with a breast pocket that always has a small pen in it and one of those mini-notebooks you find everywhere to\u00a0fit. For short notes I prefer these to the smartphone; I then transfer the notes as soon as possible to a larger paper notebook or to Evernote. The photo below shows\u00a0two<\/em>\u00a0such notebooks (ca. 6.5 x 10.5 cm).<\/div>\n

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It is important to take the note\u00a0as clearly as possible<\/em>, otherwise a week later you won’t know what it means. This is the reason why I try to\u00a0transfer the note within 3 days<\/em>\u00a0to either a major paper notebook or to Evernote. Once a note has been transferred, I strike it through. Detail: I tear off the corner of the each page as it is completed, so I quickly find where to continue…<\/div>\n
<\/div>\n
The notebooks themselves can be of different types. I like various sizes with DIN A5 preferred (4.1 x 5.8 inches). I use bound notebooks, such as the Moleskin notebooks, but also ring books and hanging fill-in to which i can quickly and easily throw any type of document (flyers, photocopies, instruction sheets etc.). If I was to start taking notes today, I would convert to the\u00a0ADOC Coloredge notebook system<\/em>, which I assume is obtainable worldwide. Tamariz uses them, and the advantage over a bound book is that you can add, remove and translocate single pages. I’d love to do a\u00a0Card College Notebook System<\/em>\u00a0that combines paper and e-functions, if I knew how…<\/div>\n
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As to how to write a note down in a notebook, I recommend you have a look at the\u00a0Cornell Method<\/em>, which is superb.\u00a0Klick\u00a0HERE<\/a>\u00a0to see or download the Cornell Method of taking notes – I really urge\u00a0you to do this.<\/div>\n
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I did not know about it for years, but from the beginning\u00a0intuitively designed my notes in a similar way. The photo below shows a page from my very fist notebook, which I started at the FISM\u00a0convention in Brussels in 1979, and the first note is Tamariz’s Perpendicular Control. I was one of the few to whom he had taught the then unpublished sleight personally, and I practiced it throughout the convention whenever nobody was\u00a0watching…<\/div>\n
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As you can see, the notes are taken in a\u00a0generous way, large writing, with enough space between notes<\/em>. When you later look back over such a page, it will motivate you to reread your notes. If it was all written in small type and compressed, as I often see others take notes who probably want to save paper, you wouldn’t want to read it again.<\/div>\n
Leave a generous border<\/em>, and similar to the Cornell Method, write in a few words (here in red<\/em>, which is a good idea) what the note is about. When later leafing through the notebook,\u00a0you can quickly find an entry if you know what you are looking for. Notice the\u00a0page number at the end of the page<\/em>, which you’ll need to put in by hand, a nice Zen-type exercise, and\u00a0very important. About\u00a0a dozen pages\u00a0before you reach the end of the notebook, start a table of contents. Here’s where you can combine the paper notebook with electronic features: create the\u00a0Table of Contents as a PDF<\/em>, which can then be searched or automatically arranged in alphabetical order! Creating the table of contents has another big advantage: it will force you to go over each note once again and reevaluate it. Maybe you have a new insight, which you then note on the margin, or as suggested in the\u00a0Cornell Method,\u00a0<\/em>in the space left empty\u00a0on the bottom of the page<\/em>\u00a0(this is a very useful idea!).<\/div>\n
OK, that’s it for today, folks. Your assignment (I’m a born teacher, aren’t I \ud83d\ude42 for our next meeting is to start a notebook, if you do not already have one, and begin to take notes as explained. If you already have one, you might still be able to incorporate one or two of the ideas exposed and make better notes from now on. In part 2 of this series\u00a0we will discuss how to use the notebook to make notes when watching a video. Part 3 will be about how to read and annotate a written document (book, magazine, lecture note etc.). And in part 4 I shall try to show you how I use Evernote.<\/div>\n
<\/div>\n
What Did Not Go Into The Agendas<\/strong><\/div>\n
This is a new heading in\u00a0this and future\u00a0Secret Letters<\/em>\u00a0and contains, as the title suggests, items that did fit neither into\u00a0Secret Agenda<\/em><\/a>, nor\u00a0Hidden Agenda<\/em><\/a>\u00a0nor\u00a0Secret Twitter<\/em><\/a>, for various reasons, but which I believe will be of interest to some of you. If I\u00a0write enough\u00a0Secret Letters<\/em>, and you collect them, you’ll have a fourth\u00a0Agenda<\/em>\u00a0for free!\u00a0I was inspired by reading a quote from Georg Christoph Lichtenberg (1742 – 1799), which translates approximately like this, “Of some important authors I would rather be interested to know what they discarded than what they chose.” I apologize for the implicit immodesty, but here we go:<\/div>\n
\nSquirmy Spell<\/strong><\/div>\n
In some effects a spectator is asked to name a card, and it will then be necessary to immediately know the number of letters to spell it. How do you do this? The best way is to know them by heart, of course, by making a list, which I suggest you do anyway and store among your notes. But here is a quick fix: repeat the name of the card, as if to make sure you understood it correctly, and also to tell the rest of the audience who might not have heard it. As you do so, use your fingers under the table to count the letters. I do this by closing my hands into fists, and then stretching out one\u00a0finger after the other for each letter, starting with the right thumb. If the count goes over “ten”, which it mostly does, I come back to the right hand, which I closed, and then restart stretching out fingers. Easy, quick and safe.\u00a0(I got this from Daryl’s video series\u00a0Encyclopedia of Card Sleights<\/em>.)<\/div>\n
\nOrimotos by Barbara<\/strong><\/div>\n
Orimoto is a kind of book-origami where you cut each page of a book and fold it in a particular way so that a message or design will be visible relief-style. It is quite laborious, as each page is treated differently and by hand. Since a picture says more than a thousand words, here are a\u00a0few of Barbara’s magical subjects, made with waste copies of the German edition of\u00a0Card College<\/em> (nothing less!).<\/div>\n
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In case you would like to buy one, answer this\u00a0email, and we’ll give you details. You should budget between $ 80 and $ 160, depending on the complexity of the design (e.g. the “MAGIC” Orimoto is much easier to do than the “JOKER” Orimoto)\u00a0plus<\/em>\u00a0shipping. You can ask for your own design, and we’ll let you know if it doable and what it would cost.<\/div>\n
\n

Additional Information<\/strong><\/div>\n

Back Issues of\u00a0Secret Newsletter<\/em><\/strong><\/p>\n

Many have asked where they could access past\u00a0Secret Newsletters<\/em>, as in each of them I treat several important topics and answer your questions. My Webmaster Andrea Pancotti, whom I would like to publicly thank at this point for all his help and advice, has set-up a new menu item simply called “Newsletter”, which you can access over the menu bar of the webshop, or simply\u00a0CLICK HERE<\/a>. There you can download past\u00a0Secret Letters<\/em>\u00a0as practical PDFs.<\/div>\n

Interview With Roberto Giobbi\u00a0<\/strong><\/p>\n

If you’re interested to know a little more about myself and some of my thoughts on various issues of magic, here is a lengthy interview conducted by\u00a0BoardGameGeek reviewer EndersGame<\/em>. I suggest you use “Pocket” app or “Evernote Web Clipper” to download it and read it offline. In such cases I convert the text into a\u00a0PDF<\/em>, which I can read anytime on the plane or in the train, and also\u00a0annotate<\/em>\u00a0it or\u00a0extract<\/em>\u00a0relevant text passage (this is already a preview on the subject of “How to Take Notes”, which we’ll deal with in an upcoming\u00a0Secret Letter<\/em>). To get to the interview\u00a0CLICK HERE<\/a>.<\/p>\n

Wer deutsch versteht, findet hier den zweiten Teil eines Interviews, das Semjon Sidanov mit mir gef\u00fchrt hat und das etlichen Usern seines YouTube-Kanals gut gefallen hat.\u00a0HIER GEHT’S ZUM INTERVIEW<\/a>.<\/div>\n

Want a book signed to you personally?<\/strong><\/p>\n

When you order a book or DVD from me, you can ask it to be signed to your name, but\u00a0you must mention this in the “comment” field of the order form, please<\/em>. I do not automatically sign, as I never know who eventually gets the book\/DVD.<\/div>\n

Personal Coaching Live or via Skype<\/strong>
\nIf you are interested to receive personal advice on anything related to your magic, or if you merely want to ask me questions or chat with me, you can take personal coaching lessons at my studio in Muttenz, Switzerland, or via FaceTime\/Skype. It is $ 150 for 75 minutes, so, cheaper than a pimp, and I would bet with better results \ud83d\ude42\u00a0For details contact me\u00a0HERE<\/a>.<\/p>\n

TCC Chop Cup<\/strong>
\nTCC is my publisher in China, and we have already seven books together out there, which I’m told are quite successful. They will also soon release the\u00a0Card College Playing Cards<\/em>\u00a0I’ve mentioned before through Kickstarter, and I’ll let you know as soon as this happens. Meanwhile, if you are interested to obtain a fine hand-made leather Chop Cup at an amazing price,\u00a0klick here<\/a>. When I did a one-month-tour in China in OCT of last year, I had a chance to visit their premises in Shenzhen and can assure you that they create and produce some of the finest props in the industry, and their business behavior and ethics are top-notch.<\/p>\n

The Missing Link<\/strong><\/p>\n

Under this heading I propose\u00a0one\u00a0unusual web-link, which you\u2019ll hopefully find inspiring, and if nothing else simply amusing. This one is about “Anamorphic Art Installations” by Michael Murphy, and it is a perfect metaphor for reframing, i.e. experiencing something in a completely different way if we look at it and approach it from a different angle:\u00a0https:\/\/www.youtube.com\/watch?v=SKfpYVK_r0E<\/a><\/p>\n

With a mini-projector and an empty wall or similar, you can show the clip, and then use it as a Prologue and presentational idea for a trick. This is just one of the many practical\u00a0suggestions you’ll find in the\u00a0Agenda<\/em>\u00a0books; for details on this particular idea\u00a0see the entry \u201cFilm Clip Prologue\u201d for February 20 in my\u00a0Hidden Agenda<\/a>\u00a0<\/em>\u2013 to a performing magician, this alone is worth many times the price of the book.<\/p>\n

Let your friends know, please<\/strong>
\nIf you believe that this newsletter (and those before) could be of interest to your friends, please forward this\u00a0Secret Letter<\/em>\u00a0to them. To get it directly, they simply have to want to sign up for it\u00a0HERE<\/a>, where they can also download previous issues.<\/p>\n

More on the next occasion, there are several questions of yours waiting to be answered\u00a0– take care of yourself AND the others!<\/p>\n

\"\"<\/p>\n

Roberto Giobbi<\/p>\n","protected":false},"excerpt":{"rendered":"

Dear all! Plans were to be in Italy, France and the USA in these days,\u00a0with shows, masterclass and a few\u00a0lectures. But, alas, I\u2019m home like most of you. At least I hope this finds you and your families healthy. We are fine, privileged to live in a house with a little garden, good weather, and […]<\/p>\n","protected":false},"author":2513,"featured_media":3374,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[13,77],"tags":[76],"class_list":["post-6561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-secret-newsletter","tag-secret-newsletter"],"jetpack_publicize_connections":[],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.robertogiobbi.com\/site\/wp-content\/uploads\/2019\/03\/giobbi-secret-newsletter.png","_links":{"self":[{"href":"https:\/\/www.robertogiobbi.com\/site\/wp-json\/wp\/v2\/posts\/6561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.robertogiobbi.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.robertogiobbi.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.robertogiobbi.com\/site\/wp-json\/wp\/v2\/users\/2513"}],"replies":[{"embeddable":true,"href":"https:\/\/www.robertogiobbi.com\/site\/wp-json\/wp\/v2\/comments?post=6561"}],"version-history":[{"count":1,"href":"https:\/\/www.robertogiobbi.com\/site\/wp-json\/wp\/v2\/posts\/6561\/revisions"}],"predecessor-version":[{"id":6563,"href":"https:\/\/www.robertogiobbi.com\/site\/wp-json\/wp\/v2\/posts\/6561\/revisions\/6563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.robertogiobbi.com\/site\/wp-json\/wp\/v2\/media\/3374"}],"wp:attachment":[{"href":"https:\/\/www.robertogiobbi.com\/site\/wp-json\/wp\/v2\/media?parent=6561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.robertogiobbi.com\/site\/wp-json\/wp\/v2\/categories?post=6561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.robertogiobbi.com\/site\/wp-json\/wp\/v2\/tags?post=6561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}